We’re leading up to the grand tamasha called Women’s Day where you can expect to see the world pat itself on the back for giving half its population one day. You’ll also find a lot of men applauding each other for being so considerate of women. And congratulating one another on what good men they are for allowing women a special day. And finally, refraining from PMS jokes for that one day. Well done, men.
Here is a piece that I performed this Monday. Before I went up on stage, I was announced as
‘That poet who the women will love and the men better beware because the poetry is going to slap them’.
Once I finished, I was asked why I disliked men so much. Then a young man I barely knew parked himself next to me and in the semi-darkness during the subsequent performances, proceeded to harass me on my social adjustment issues, my hatred of men and my problematic past. Of note, said young man is also a poet who is infrequent on the scene. He also has a bad stammer and earlier in the evening, I had applauded his performance because I know how much courage it takes to go up on stage. He did not however, feel equally kindly towards me. He also felt perfectly able to attack me in a place where I’m a regular and when I was surrounded by friends. This is not the first time men have behaved in such a manner on the performance/poetry scene and every single time I protested, I’ve been told that I was taking things too seriously or that ‘he’s just young’.
Here’s the piece I performed. Dare I point out that it doesn’t mention men anywhere?
After all, feminism is only feminism when a man speaks about it. A male feminist is a hero and a female feminist is nothing more than an angry, man-hating bitch. Thank you for putting me in my place, fellow poets.
It looks like the stage does not permit me to speak my mind so let me hide on my blog for as long as it takes for the trolls to find me. Tonight a lot of you stay up celebrating a god whose legacy includes blurring gender roles, assimilating the masculine and the feminine and indeed, expressing an open need of his equal half – his female partner and side. That’s it. Think about it. You can wish me on 8th March on the one day in the year I don’t have to apologise for not being male and then congratulate yourselves for doing so. Thank you.
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I had a chance to get this off my chest last year. I’m so grateful for the stage giving me a chance to voice things that had been eating away my insides for too long. I’ve been silenced by well-meaning friends and others who are just inconvenienced by anything other than my smiling face. I felt like I owed it to myself to get it out and start 2017 on a fresh note. Noting it here for posterity.
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I wore a saree to a poetry event today. Unlike the last time, it was a rushed drape of an unstarched cotton. I look like an amma. But I was on my way to a new poetry event. And I thought it would be nice to do gentle romantic piece. But on the train, there were three women who were travelling with an adult height male being. When I protested his presence in the ladies compartment, they abused me. The last time I tweeted a picture of such a male creature in the ladies compartment, I got abused by women on Twitter. It made me mad enough to bring out my vitriol from last week. Truly, mothers/sisters of men in this country have to be the most irresponsible, self-absorbed, cussed group ever. My deepest derision is saved for you. Here’s Mother’s Day, performed at Kulture Shop.
When I finished, I felt somewhat incensed. This country is what it is. And as a bona fide uterus carrier, I will live the rest of my life with men hanging their insecurities on me and blaming me for it. Where I can, I will shoulder that burden womanfully (yes, what is manfully? that to me, just means in a weak, undependable and entitled manner). So here’s something that I do do well – offer comfort and solace. Lullaby for your listening pleasure.
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I haven’t written in awhile, a whole month and nearly a half, in fact. I haven’t felt enough in love with the opposite sex, with my own gender identity or with the world to express an opinion on it. April was very hard, full of difficult lessons that I’ll write about when I’ve had time to sort them out in my mind.
And in the meantime, one continues to keep breathing. And with this one, the best of those breaths speak poetry aloud, even if they’re all fiction. Here are two pieces I performed recently, both of which are entirely fictitious. I’ve never had anyone that I felt enough hope with, to ride through an unglamorous season 2 with. That is the crux of the piece that I call ‘Patchwork Relationship’. Considering the response it usually gets, I imagine that enough of other people have felt this. I guess a writer’s job is to hold a mirror up to humanity, even if they can’t see themselves in it.
By the way, the night I performed this, I was very, very sick. I threw up several times before I went up on stage. And after I came back home, I spent the night dry-heaving, too weak to stand. I thought it was possible I wouldn’t make it through the night and that I might choke on my puke. As it turned out, I didn’t. The performance is the only time that stands out in that day as shining clear, feeling one with the universe and okay with life. The stage is my second blog now. I feel like the true me up there and like everything else is an act I’m putting on. Even when what I’m performing is entirely fictitious.
The second piece is one I wrote and read out at the Hive’s Great Indian Poetry Challenge. You’re given a prompt and one hour to come up with an original poem. My prompt was ‘Wrong Time’. A new friend observed that I usually wrote ranty, angry, feminist poetry and he challenged/suggested/coaxed me to try something different. And he was just so sweet about it that I wanted to go along. So here I am, fictioning it up again with ‘Wrong Time’. For fact, this is probably how my two steady relationships went – my holding up the glory and sparkle and magic above the mundanity that each man was trying to force upon me. I lost in both cases but the memory remains. I don’t know if I’ll ever want to do that again for any other human being (two is quite enough pounds of flesh that the universe has extracted from me, don’t you think?). Now I’m a writer, so I can make shameless use of all of it in poetry.
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Sex is a complex act to share with another human being — in action, in thought and then, in words. I find it has gotten easier to talk about it the more I’ve done so. In writing too it gets easier the more I write though the words come awkwardly when they do. And finally, in performance poetry, the kind of open vulnerability and authentic sharing that it demands — I haven’t been able to do that. Until now.
This piece originated in a workshop over a month ago. Since then it has shifted in form and in idea. My feelings have swirled and changed and doubled back as they do on things that are that internal. But also because of the conversations that this piece has provoked, when I shared it with friends, male and female. Conversations on performance, on poetry, on the relationships between men and women, on sex, pleasure, love, pain, resignation, defeat and emotional barriers.
I spent today in an awful state of mind. I was running low on sleep having spent the night talking to my favorite aunt who had dropped into town to meet me. Then I awoke to the news of a death in the family of close friend. And finally, just thinking about this piece all day kept me in a state of quivering, confused, dark confusion. I finally decided that this was the best possible starting point for me emotionally to perform this particular piece (writers are such masochists). So here it is, from the Poetry Open Mic at the Hive, Bandra.
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