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Strong Woman

This label is burden.

I see a look in my eyes, a look I’ve seen on the faces of divorcees, of women who have been beaten up who’ve moved on, in the fleeting expressions of successful women, old women. Because women only achieve success with age. And success necessarily means surviving very bad men. It is the face of a woman that the world likes to call a ‘Strong Woman’. It is a tired look. A jaded look. A bored look. A dismissive look. These are so subtle, you’d be forgiven for thinking I’m just being cynical. But I know how this face feels from the inside because I wear it. I know exactly how the frown lines fall, beneath the matte-perfect makeup. I know what grimaces are smoothed away behind liquid lipstick, what acid feelings are tone policed and polished up behind the articulate, confident speech of this Strong Woman.

I heard it in the voice of a yesteryear actress, now married to a business tycoon who it is rumoured, routinely humiliates her publicly. I notice it in the eyes of journalist once partnered with a serial cheater. I see it in faces of at least two celebrities who’ve been publicly beaten up by their partners while their colleagues watched, who’ve sustained injuries and then gone on to marry other people and re-establish that perfect fairytale everyone wants to see – the Strong Woman.

Strength? This is the fetish of a different sort of man from the one that caused the wounds in the first place. Or maybe it’s exactly the same kind of man – the kind who sees a glass edifice to be shattered, who thinks broken women are beautiful, who writes poetry about this pain and expects to receive admiration, love and sex in return.

It is also the desperate need of a certain kind of woman. My age makes me an automatic, if reluctant role model. The trouble is, because I’m also a woman, they think it’s not just my job to inspire but also rescue and protect. Male role models aren’t asked to do more than be distant beacons. I never signed up to be anybody’s knight in shining armour.

All I ever wanted, was to be a person. The Strong Woman in the mirror rolls her eyes. 

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STRONG WOMAN This label is burden. I see a look in my eyes, a look I've seen on the faces of divorcees, of women who have been beaten up who've moved on, in the fleeting expressions of successful women, old women. Because women only achieve success with age. And success necessarily means surviving very bad men. It is the face of a woman that the world likes to call a 'Strong Woman'. It is a tired look. A jaded look. A bored look. A dismissive look. These are so subtle, you'd be forgiven for thinking I'm just being cynical. But I know how this face feels from the inside because I wear it. I know exactly how the frown lines fall, beneath the matte-perfect makeup. I know what grimaces are smoothed away behind liquid lipstick, what acid feelings are tone policed and polished up behind the articulate, confident speech of this Strong Woman. I heard it in the voice of a yesteryear actress, now married to a business tycoon who it is rumoured, routinely humiliates her publicly. I notice it in the eyes of journalist once partnered with a serial cheater. I see it in faces of at least two celebrities who've been publicly beaten up by their partners while their colleagues watched, who've sustained injuries and then gone on to marry other people and re-establish that perfect fairytale everyone wants to see – the Strong Woman. Strength? This is the fetish of a different sort of man from the one that caused the wounds in the first place. Or maybe it's exactly the same kind of man – the kind who sees a glass edifice to be shattered, who thinks broken women are beautiful, who writes poetry about this pain and expects to receive admiration, love and sex in return. It is also the desperate need of a certain kind of woman. My age makes me an automatic, if reluctant role model. The trouble is, because I'm also a woman, they think it's not just my job to inspire but also rescue and protect. Male role models aren't asked to do more than be distant beacons. I never signed up to be anybody's knight in shining armour. All I ever wanted, was to be a person. The Strong Woman in the mirror rolls her eyes. 🎶: THANK YOU – Alanis Morissette #theideasmithy

A post shared by Ramya | IdeaSmith 🎤🌱📚💄🏊🏽‍♀️ (@ideasmithy) on

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Baby Invisible: On Sex, Emotional boundaries & Identity

Sex is a complex act to share with another human being — in action, in thought and then, in words. I find it has gotten easier to talk about it the more I’ve done so. In writing too it gets easier the more I write though the words come awkwardly when they do. And finally, in performance poetry, the kind of open vulnerability and authentic sharing that it demands — I haven’t been able to do that. Until now.

This piece originated in a workshop over a month ago. Since then it has shifted in form and in idea. My feelings have swirled and changed and doubled back as they do on things that are that internal. But also because of the conversations that this piece has provoked, when I shared it with friends, male and female. Conversations on performance, on poetry, on the relationships between men and women, on sex, pleasure, love, pain, resignation, defeat and emotional barriers.

I spent today in an awful state of mind. I was running low on sleep having spent the night talking to my favorite aunt who had dropped into town to meet me. Then I awoke to the news of a death in the family of close friend. And finally, just thinking about this piece all day kept me in a state of quivering, confused, dark confusion. I finally decided that this was the best possible starting point for me emotionally to perform this particular piece (writers are such masochists). So here it is, from the Poetry Open Mic at the Hive, Bandra.

*If you liked this post, you’ll want to follow the Facebook Page. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

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