You always had an option

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The Zodiac Signs As Feminist Women

Aries: MARD TEREKO DIKHATI HOON DARD KUTTE KAMINE

Taurus: No, that’s not nice of you. Behave now. Let’s eat, smile and sleep. Discrimination? KILL! zzzzzz

Gemini: Internalised misogyny is problematic but there’s something to the Prince Charming fantasy as long as I can be prince but rescue me..

Cancer: I don’t know, it’s raining and I’m sad and I have to run the company. I hope my boyfriend brings me flowers or I’ll have to take the flower shop over.

Leo: Equality? Yeah sure whatever. Put it next to my prime rib served on a silver platter and maybe I’ll look at it after my nap.

Virgo: The birth ratio is alarming. We also need more funds to set up counselling for battered women. And vaccination drives.

Libra: I’ll talk to you after you’ve dressed up in designer threads and played some Mozart. By then I’ll probably have taken over the world so goodbye.

Scorpio: You dare? Hmm… *darkness falls* *toofani raat sex tere saath* Everyone found dead.

Sagittarius: Equal rights is obvious, why are you such an idiot? Sorry, I didn’t mean to idiot-shame you. Chal, let’s go drink.

Capricorn: Here’s my contract. We already agreed on equality. Thank you for confirmation. I’ll send you the bill at the end of the month.

Aquarius: Feminism? Oh right, the 70s thing. Sorry I haven’t kept up since I got on that Mars mission.

Pisces: Here’s water for Gemini to drink, Aries to wipe the blood, Scorpio to wipe other things, Sagittarius to hydrate, Cancer stop crying.

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*If you liked this post, you’ll want to follow the Facebook Page. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

Lipstick Under My Burkha: Not Feminism But A Revenge Saga Against Men

I watched the much talked about ‘Lipstick Under My Burqa’ earlier this week, the first movie I’ve paid a ticket to go watch in the theatre all year. I’m not so sure it was a good decision. All week I’ve been pondering the discomfort I feel with the film. Wasn’t it supposed to make me, the Vocal Feminist, very happy? Well, it didn’t. I found some clarity in my thinking after reading this article (‘Lipstick Under My Burkha Is Bold But Not Feminist).

The story told me that women had problems. I knew that already. So? Does it lay them out in a nuanced way? Let’s see – marital rape, slut-shaming, moral policing. Okay, complex issues, further complicated by the tangle that is gender politics. The bedroom, women’s bodies, our relationships with each other are fraught with so much power play, so many sensitivities that there’s room for a really nuanced story.

Okay, we need to talk about the men in the movie. Why, you ask? Because neither patriarchy nor feminism exist in an isolated world of only women or only men. Both are upheld by people of all genders. Everyone is impacted in some manner by the conflicts inherent in these systems.

Four stories with a woman at the center of each. Let’s meet the men in each one’s world.

Usha buaji/Rosy is surrounded by male tenants/nephews that she keeps in check with stern looks and words. How do these men deal with an older woman who wields financial power over them? Add further nuance with one of them being a Muslim burkha shop owner – how does he deal with his home and livelihood hanging on the decisions of an older, uppercaste Hindu woman? There’s also the key male character in this story – a young lifeguard. He’s nice looking, he’s Haryanvi and he responds to phone calls from an unknown woman propositioning him. Uh, that’s it.

Rehana Abidi is an impish teenager who works at her father’s burkha shop and moonlights as a Led Zepplin humming, boots-wearing, beer-chugging activist collegegoer. How does her father rationalise letting his only child study in a co-ed college while swathed in a burkha? How does he feel about the scantily clad Miley Cyrus poster on his daughter’s wall (flimsily hidden under a towel)? What do the classmates who undoubtedly see Rehana’s daily burkha/ripped jeans metamorphosis make of her spurty activism? Why does the cool stud, Dhruv, find her interesting (apart from her being the only girl in Bhopal to know ‘Stairway to Heaven’)? Do they talk about anything other than music, drinking and making out?

Shireen Aslam appears to work in a world of only women. Her colleagues are all women, her customers are women and she’s not shown sharing a scene with any man other than her husband and her three sons. Somehow with all this, she manages to be the ‘top salesgirl’. That’s a sales job and I don’t care what you’re selling, you can’t NEVER meet or see men. What is her husband like? How is he coping with losing his job? Does he appear defeated and indifferent to whatever else goes on (which explains why he doesn’t seem to be looking for another job)? Is he charged up, angry and driven (with enough energy to openly date a mistress and appear to enjoy it)? How can he be both? That’s not character nuance, that’s Jekyll-and-Hyde.

And finally, the story of our enfant terrible Leela a.k.a The Bad Girl who is sleeping with a photographer while trying to kickstart a business and also survive an engagement with a good Indian boy. Who’s this fiance? He’s going to keep her in a tiny room overlooking the train tracks, in a house bursting with people. But he’s also buying her mother a house. How does he feel about the financial comittment he’s undertaking? And wouldn’t he feel a lot more entitled to his fiance’s time, attention and worshipful devotion? Hey, that’s how human beings think. Alright, never mind him. How about the photographer boyfriend? Does he love our girl, does he not care? Is he using her, is he feeling used? Does he contribute to the business set-up and if he doesn’t believe it, is mere sex enough motivation for him to follow her around? And if that’s so, why does he refuse to sleep with her later?

Once more, let’s list out the men of Lipstick Under My Burkha:

  1. Irrationally hot-headed dependent (tenant/nephew)
  2. Boyfriend photographer prone to irrational rage, jealousy, ego trips and indifference
  3. Slow-witted, corrupt government officials
  4. Brainless hunk lifeguard who scatters words and smiles without abandon
  5. Socially awkward virgin fiance who assumes his fiance is one too
  6. Featureless colleague of husband who blabs to the wife about her husband losing his job
  7. Distant, oppressive father who frowns menacingly more than he speaks
  8. Abusive, cheating, absent father-husband
  9. College cad who dumps his pregnant girlfriend, seduces an underage girl and dumps her at the first hint of uncoolness

The first two are caricatures of irrational men whom the women constantly bully. 3-5 seem incapable of functioning as intelligent adults. 6 & 7 are not really people but blank walls with vague faces. The last two are versions of the all-dark MONSTER. Do any of these men sound like actual human beings?

I’ve heard the cry of ‘But this is a story about women!’.

This story is not set inside a women’s bathroom so why is anyone not female such shit?

That’s no more an accurate depiction of women than it is of their worlds or the men. Feminism is not about villifying men. It’s not about deifying women as long-suffering and showing the metaphorical middle finger to the world (only under the burkha and behind closed doors). It’s about respect and rights for every human being, regardless of gender or other qualifiers.

Slotting men so narrowly amounts to discrimination and what kind of feminism is it, which discriminates? As a woman, I am personally offended. I live in a world that treats me in problematic ways, yes. But I am not so weak that I need to believe that every man is a monster/imbecile. I’m offended by a narrative that tries every storyteller’s trick to define me as a victim. It turns the fight for equality into a revenge saga against men and that is offensive.

What’s worse, having adequately established the ‘See, women’s lives are HARD. Men are so horrible.’, the story closes. Like the article points out – in a cramped room, the women huddled together sharing a surreptitious cigarette and pointing a middle finger. Behind closed doors. What’s the point? Feminism was never about glorying in woe-is-me, any more than it was about hating men. Feminism above all, through its changing definitions, has always been about hope for a better world. Lipstick Under My Burkha offers none of that and sits back to have a smug, self-satisfied smoke at having put down the men. Note: Victory over men, not over patriarchy and what kind of victory is this?

Does this movie show us a single man that is not a cardboard stereotype? Any human characterizations of over half the world’s population? Any realistic depictions of the perpetrators-parallel victims of patriarchy? Any conflicted human beings troubled by the gender double standards while struggling to keep up with the changes wrought by feminism? Any angst at all in any of the men who seem to drive the women’s lives? Even a hint, a flicker of support, compassion, consideration for anyone? Any guilt, regret, confusion over how to express it? Huh?

There’s the problem. It’s not feminism if it’s looks, sounds and tastes like a revenge saga against men.

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*If you liked this post, you’ll want to follow the Facebook Page. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

No Country For Men


No country for men
Artwork: Ramya Pandyan

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Suhaag Raat

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The Ugly Male Face Of ‘Cannot Cope’

I always thought India hates its daughters. But now I believe it hates its sons even more.

One of the biggest advantages that I have is that I was given a realistic view of the world’s indifference and even hostility to my existence. Yes, this is an advantage because growing up aware that you need to work hard and fight for every good thing possible lets you develop this skillset. It teaches you that if the world does not accept you, you don’t shatter; you just try harder. It lets you not take anything or anyone for granted. True, it gives you trust issues. But in our world today, I think I’d rather have trust issues than survival issues.

I predicted this years ago, when my twenties were full of boy-men treating me and other women callously, thoughtlessly, cruelly even. The tables would turn and they are. It’s not that women are getting a better deal. No, we’ve learnt to cope. After all, we were trained to deal with betrayal and unpredictability, in a near-Spartan manner since we were little girls taught to flinch under the male gaze, tiptoe around fathers and brothers and work for their approval. We’ve survived and continue to do so.

But the men? Look at the male half of most break-ups, divorces, broken friendships and even layoffs. Do you see more calories? Greyer hair? Lesser hair and more paunches? More missed calls but also fewer Tinder matches? Higher debts on accrued credit card bills? More rumpled clothes? More dripping venom against life in hate-speech on the internet, stage performances, watercooler conversations? Fewer friendships? More bad behaviour at parties?

This is the ugly male face of Cannot Cope, Cannot Deal With Adult Life.

*Image via Pixabay

These are cracks appearing in the Raja Beta syndrome, as its foundation stones of the manipulative, infantalising family, ages. What happens to a full-grown adult who has been handicapped of social skills and deprived of the freedom/ability to take responsibility for his life, when the crutches falter? That is a damaged human being. Meet The Indian Man.

This one is struggling through a divorce, still bewildered that such a thing could happen. That one is dealing (very badly) with palpitations, diabetes, blood pressure, liver troubles and hating the medical system for it. This one feels inadequate at work, can’t find a way to rise and decides his women classmates must be sleeping their way up. That one can’t stand to see his wife spend so much time on Whatsapp and Facebook, can’t stand the TV they watch and can’t stand it when the electricity is off either. This one hates his colleagues, hates his fellow commuters, hates the spouses of his wife’s friends, hates his neighbors, hates the service staff and thinks it’s just that the world is wrong. That one thought he did everything right, degrees, labels etc. and yet everyone else looks happier than him. This one thought he was the cool one so where did it all go wrong? That one has no idea what to do when his spouse doesn’t get along with his family, is clueless when a job or a relationship ends and has no idea how to take care of his parents. Or himself.

This system is harsh on me but it has actively betrayed the Indian man. I’m truly sorry for all of you. I will not take care of you because that’s just allying with the system. I know many of you will not see that. I also know this the reason you turn your nameless rage against the system onto me and other women. But I’m still sorry. It’s the system, people who were supposed to love you that let you down, not me. All I can say is, it can get better and hatred is not the way.

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*If you liked this post, you’ll want to follow the Facebook Page. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

Okay 2017, I Concede. Let’s Wait It Out.

I want to write something simply because the topmost post on this blog for too long now, has been a painful memory that victimised me. I am not actually dwelling in the past. The present has had me too caught up to even think about the future, let alone the past. One major thing about the present is the books I’m reading and ‘When I Hit You’ was a part of that. Sometimes we can look back at our lives and see them in other ways, like examining old information in fresh light. Even the insights we gain may not be exactly new but the relooking allows us to establish it again, more strongly. And how can we hope to live in peace, unless our beliefs are strong?

I don’t really have much news to report. Or perhaps there is too much to say. As always, I’m a bit rusty when I start writing/sharing again after a long time. Half this year has gone and I’m coming to accept that 2017 is as difficult and brutal as 2012 was. I lost my idea of a great person. I lost a performing space and community that felt like home. In the past month I’ve lost two of my top five people. Yes, I have those or rather, had those. And perhaps, finally goaded on by what I think life was trying to tell me, I have let go of someone else I really wanted to be close to.

I do not believe men will treat me with respect and consideration for very long. I do not believe friends will want to stay true permanently, especially when they have easier or more benefit-giving relationships in their lives. I’m just not a great investment for people’s emotions and I can see that with some kind of detached clarity.

I do not want to be treated with adulation but with warmth. Yet, that is a role that falls on me. What people call ‘respect’ is putting me up on a pedestal but I cannot make them see that. And thus we come to a stalemate unless I accept that this is the way other human beings always will be.

This lesson keeps coming right back at me. You cannot make someone love you, no matter how loveable you make yourself. You cannot make a person treat you well, no matter how well you treat them. You cannot teach a person to treat themselves well, no matter how hard you wish it. And finally, you have no control over a single thing that life has or does or is. All one can do is, is try and stay grateful for the chance encounters that have brought some joy.

I’ve been tempted now and then to fall into bitter, pitch-black resentful rage. But it feels like such a dark, unwelcome place to go to, especially after the year-and-half I spent wondering if I was going mad. This also reminds me of how I got through that time – with some of these very same people who are tempting me to fall back into that place. Never mind justice, never mind what’s logical. I must not go back there for myself alone.

I’m not exactly sad because I think I’m still in some kind of numb shock. Or perhaps it’s resignation. Everything is slipping away. Everyone is hurting. Everybody is a monster, without being able to help themselves. All I can do is take one breath at a time. And wait for 2017 to be over. You be well too.

Starry nights and smoky music

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*If you liked this post, you’ll want to follow the Facebook Page. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

 

An Unequal Music

After he broke my iPod (and it was almost comical since he had to smash it several times and jump on it to break), and his own, he bought me a new one. This despite my never wanting to see one again. Why would I? His music taunted my lack of intelligence and I was too terrified to listen to music I used to like. He waited six months, not allowing me to buy him an iPod, not buying himself one, carrying the badge of the denied genius. Sharp at month 6, he bought one and paraded it around defiantly as if I had kept him from it. Six months, he told me proudly, six months I had decided I would go without an iPod. Six months where he taunted my lack of taste in music and when he didn’t, the empty iPod he bought me sneered. So precise and calculated.

I come from a tradition of music, of training and performing. But I have never owned a music player after that.  I have since, won back my right to listen to music I like, even as I indulge this only sparingly. There are too many echoes of hatred and violence in anything I listen to.

His music was music, his self-flagellation was greatness. Mine was just shallow, stupid, worthless. And yet, he’s barely my worst offender when it comes to music. My sexual predator guitar teacher from age 11 and violent, abusive fan-boyfriend (from “Your singing drew me out of my quiz and I just had to come talk to the girl on stage.” to “You are so black and ugly, a guy would only be with you because you look easy.”) from age 22 lead this gaslighting, dangerous ex-fiance of mine.

But I will never forgive the wounds he scratched on my faith in idealistic people, my empathy for abuse/violence sufferers. I will never forgive him for turning me into the demons in his head and me into a monster. And in this, there is its own kind of music. You thought your music was angry?

~O~O~O~

This was triggered by the book ‘When I Hit You’ by Meena Kandasamy. Notably by a section where her violent abuser shuts down her poetry writing as vindiction but justifies his own poetry as self-flagellation. Just like my ex and the iPods.

AN UNEQUAL MUSIC – a true story After he broke my iPod (and it was almost comical since he had to smash it several times and jump on it to break), and his own, he bought me a new one. This despite my never wanting to see one again. Why would I? His music taunted my lack of intelligence and I was too terrified to listen to music I used to like. He waited six months to buy one for himself. Would not let me buy one. Sharp at month 6, he bought one and paraded it around defiantly as if I had stopped him. His music was music, his self-flagellation was greatness. Mine was just shallow, stupid, worthless. And yet, he's barely my worst offender when it comes to music. My sexual predator guitar teacher from age 11 and violent, abusive fan-boyfriend (from "your singing drew me out of my quiz and I just had to come talk to the girl on stage" to "you are so black and ugly, a guy would only be with you because you look easy") from 22 lead this gaslighting, dangerous ex-fiance of mine. But I will never forgive the wounds he scratched on my faith in idealistic people, my empathy for abuse/violence sufferers. I will never forgive him for turning me into the demons in his head and me into a monster. And in this, there is its own kind of music. #WhenIHitYou #domesticviolence #gaslighting #abuse #survivor #violenceagainstwomen #VAW #meenakandasamy #book #trigger #books #nonfiction #truestory #feminism #feminist

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*If you liked this post, you’ll want to follow the Facebook Page. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

Fuckboys & The Support Fuckboys Brigade

I saw the fuckboi yesterday. He is part of the same circles and I refuse to acknowledge him anymore so his presence in isolation is not such a bother. But I am surrounded by his manipulative behaviour, in the form of other women who look as starry-eyed as I *cringe* probably did back in December. (Notice how I feel ashamed of myself for a positive emotion and a pretty good performance; thank you, fuckboi.)

Some of them are women I know and I’m caught in a quandary. Should I warn them, risk the heavy ugliness that society and men thrust on a woman who dares speak (including from these very same women themselves)? Or should I stay silent and let other women fall prey to the same fuckboishness that makes them doubt themselves and cripples them in male-dominated spaces? I need more women like me in the spaces I frequent and I can see how behaviour like this costs our kind dearly. What a catch-22.

Maybe it’s highlighted by the fact that I’m watching Mad Men right now. But doesn’t “Oh, he suffers social anxiety” just feel like a modern, fashionable version of, “He’s deep and brooding” (Mr.Darcy), “His parents didn’t give him enough attention as a child.” (romcoms featuring white males and Manic Pixie Dream Girls) and other such excuses? A fuckboi is a fuckboi. There is absolutely no excuse for treating another human being badly and making them question their self-worth. Women have problems too (rape culture, online harassment, salary disparity, biological clock ticking, unsafe spaces) and most of us don’t get to use that to tread all over men and get applauded for it. No, fuckbois, I don’t care if this is politically incorrect but I’m not buying it.

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*Image via sarcasmlol

I am thinking about whether this particular fuckboi and my strong reaction to him is just a symbol of my deeper feelings for my ex, the longest running fuckboi in my life. That one issued a vague apology last year on Twitter that could have been aimed at anyone but that I suspect was about getting in on the ‘I’m a reformed man, applaud me’ trend. I wish my friends had not bothered sharing it with me. I was going along in my life, having put that particular nightmare behind me. But with that screenshot fed into my inbox, I was forced to think about him again.

His apology was public and got him a lot of positive attention. He never once said sorry to me, in person or in any form of private communication. He did not even acknowledge my existence. I concluded that he was no different from who he was in 2011-12 when he isolated me from my family and friends, stopped me performing or working, hit me, gaslighted me, abused me, allowed his family to subject mine to dowry demands, ended the engagement when I called it out, said “It’s not my problem” when my period was delayed and then “So what? Breakups are difficult.” If that apology was aimed at me, I say

“Not good enough. Too little, too late. Wait, was that an apology or your version or Being Human?”

But no one cares, do they? The truth has not changed but I’m forcibly pulled into this Fuckboi’s drama every time he feels the need for attention. And everyone who knows either or both of us even slightly, is looking at me expecting me to hand out the bouquets like the gracious woman I am supposed to be. I lose every way I look at it. Is there any escape from the land ruled by Fuckboidom?

2

The current fuckboi of course, didn’t get to do a fraction of what that one did. He vanished, then when I stopped, he reappeared with gifts and love poetry. When I relented and agreed to have a conversation, he pointed out that “You come across as having very strong anti-male sentiments”. When I refused to take note of it and him beyond that chat, he took care to message me and remind me that “I listened to your work. No, you are not anti-male.” Back-and-forth, back-and-forth till the unpredictable approval could be distracting enough to be all I would think of. So familiar. He’s just another in a long line of fuckbois who don’t care or even really see the women around them. Not  in any way other than breasts, butts, vaginas to grope, ears and arms to receive their existence and words only to validate them. I am still grappling with how to deal with so many men being this way. The challenge grows exponentially considering that they’re surrounded by women who fall prey to them and enable their fuckboi behaviour, even to the point of hurting other women.

I asked a friend yesterday why I was attracting such nastiness when I tried to steer clear of people and focus on my own writing only. He said,

“You know what you want. Not many do. That creates a dichotomy between you and such people. My advice, if you want it? Not worth engaging. It will tire you and they will not understand what you are saying.”

My friend is right, in part. The tricky thing is identifying the handful that are willing to let me live, from the vast hordes that want to pull me into fuckboiness-and-support-fuckboidom.

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*If you liked this post, you’ll want to follow the Facebook Page. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

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