Category Archives: Being Woman

Post-Swim Dating Is A Thing

 

If you follow me on Twitter, you probably know that I’ve been swimming pretty regularly of late. I love swimming. It’s my favorite physical activity of them all. Yes, ALL.

There is the fitness angle, of course. But I’ve tried yoga, cycling, aerobics, running, gymming and none of them quite fit me as well as swimming does (though yoga and cycling could tie for second place). With my shape and size, I have a body made for swimming. But also swimming made my body. I was diagnosed somewhat late with severe allergies that I was probably born with. The first decade of my life I spent struggling through undetected health issues that would flare up into more serious things. Injections, medicines and absentee notes were a common occurance for me. I started swimming a little after I had my tonsils removed (which may have been the bigger factor in my health improvement). Swimming taught me how to regulate my breathing, how not to panic when I couldn’t feel the oxygen pouring into my lungs after what felt like forever. If you’ve never had respiratory problems, you will never understand how terrifying this is and how every breath is a blessing. Swimming rescued my body from constantly feel sick.

But also, swimming taught me that my body was not defective. It was the first time I was good at something physical. Up until then, I had been the smart kid, the brainy bookworm that was good at maths and science and languages, who also did well with drawing and when I wasn’t sick, singing. But the playground, the track, the football field — these were places where I was the rejected one, the one everyone wished would have been absent that day so they didn’t have to put me on their teams. I was young for the class so everyone else was bigger (which to a kid, means better), more talented at sports, cooler and prettier (thanks to really bad teeth). But swimming let me be actually good at something that involved racing, length, speed and grace. Swimming did and still does make me feel beautiful and right in my own skin.

Now, as an adult how does it factor in with the beauty/body messaging I’ve picked up (and inculcated)? I deal with my share of opposition from the beauty/body-shaming industry. It starts with everything about how swimming makes one’s skin black (not true), goes on to the evils of dried out hair (yes true but I’m lucky), continues to the ill-effects of cholorine/ ‘chemicals’ on skin (debatable especially on the chemicals bit since all cosmetics are also, scientifically speaking, chemical) and ends with the classism of how disgusting it is to share body fluids with strangers. Maybe you believe all this. Maybe it is even true. But when breathing has been a struggle (one you’ll never forget), these things fall away in the face of that one activity that has given you reprieve.

It didn’t take me too long to kit up. I now have my swimbag that contains my gear (suit, goggles, cap), towel, hair-and-body wash, aloe vera gel, comb and lip balm. My peripheral going-swimming outfit has its own mini-wardrobe with sporty shorts, athleisure teeshirts and my own brand of quirk with headbands or socks. These have me in the mood to strip down and feel water-on-skin in the way that feels more normal than land and air, to me.

My favorite time to swim is in the late evening, after sunset. For one, the sun isn’t beating down on my back or in my eyes when I surface. Secondly, there aren’t thousands (okay, exaggeration) of squealing kids spreading out across lanes. Thirdly, the water is the right temperature. Fourthly, everyone in the pool is in a more sombre, adult mood, sticking to their own lanes, willing to match a dive or a lap occasionally without getting clingy or competitive. I could go on but suffice to say, I like it because I love it (just like swimming).

This puts it at just before a potential date, which makes it….interesting. I’m my best self right after swimming. There’s a happy kind of tired because it is the end of the day (not exhausted and dying to hit bed). I’m hungry in the most healthy way possible which is for food rather than an escape. The water has a way of washing away and settling stray thoughts and errant emotions so I’m a brand new person right afterwards. Ideal date material.

What makes it a bit complicated is none of my swim-peripheral wear is datewear, at least not in my book. While I love the #swimlife, I also love the aesthetic and style I’ve developed over years. I like feeling badass and quirky and beautiful in my look. But it does take some doing and I don’t want to be one of those awful women hogging the shower for half an hour while I preen. I’m still figuring it out.

I’ve been on two dates post swim. One was with a fellow swimmer who seemed very perturbed by his having to blow his nose often. I shrugged and told him not to worry, it was just a #swimlife thing and after all, I had gotten out of the exact same pool as him. I think it bothered him a lot. Thankfully, I was in a peaceful enough mindspace to not let it affect me too much (his issues being his own). The other was with a friend who I know is sensitive to smell and to a lesser extent, colour and style. On the first, I just wore a denim miniskirt with my sporty top, instead of shorts. The second time, I had an on-the-go dress to pull on and pass off as ‘dressy’. Both times, I carried a whole load of bath products.

Today I decided to cut back on bath products. I don’t need a shampoo and conditioner and face wash and soap. I just need something to clean the pool off me. And I need something to cover up any lingering chlorine smell. One product can do that. After that, it’s like I’m dressing while travelling — still nicely made up but with fast makeup/minimal effort. I’ve got my eye pencil and a tinted gloss. A pair of hoops or a statement earring and I’m ready! Wish me fun this evening!

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Alone time doesn't always look like this. More often than not, it's faded, crumpled, tattered even. And not in artful, Instagram-worthy ways. But it's important. We need tough love and the people who give it to us, especially if you, like me, find it hard to keep your head on straight in the throes of powerful emotion. People like us, we also need the gentle balm of those who tell us, it's okay to grieve, that it's fine to be sad even if it's not logical, to ache even if we were forewarned, even if we should have known better. And finally we need to meet ourselves, in our rawest forms. It doesn't have to happen immediately. Me, I have an inbuilt safety valve that lets me tuck away my messiest self deep down till I reach a time and place that I can take it out and face it, safely. And that must happen. A time when no other commitment or duty or person must intrude. Nothing else allowed to be more important than your own feelings which must be faced with no voices of the world interfering. And that is the time when you'll realise the ugliness is not you or in you. All you are, is a witness to the world and occasionally, a reflection of it. Reflections pass. You will, too. Watch it alone. ———————————————————————————– 📸: @unstable_elemnt 🎶: TAKE IT EASY – The Eagles #beach #alonequotes #alonetime #solo #solitude #introspection #healing #selfcare #selfhealing #theideasmithy #mood #sunset #sunsetbeach #beachsunset #beachsunsets #alone #meditation #emotion #emotional

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If you liked this post, you’ll want to follow the Facebook Page and the Youtube channel. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

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Angry Girl Of The Indie Rock Persuasion

I was fascinated by the saree as a child. Unfettered by stitches, lacking the artifice of buttons, a saree was freedom.

I’ve struggled with gender boxes my whole life. Every damn thing, a fucking war. Short hair. Tattoos. Red clothes. Short clothes. Boots, not sandals. Science projects. Marketing jobs. An analytical mind. Single status. Silver, not gold. Diamonds I paid for. Sci-fi. A love of graphic novels. English poetry. Silent performance. A business. A band. A breakup. A failed engagement. Boundaries. These became my trophies.

Warriors don’t wear shyness, they wear war paint. I RAGE, oh how I rage. I rage with the eloquence of Alanis Morissette. I rage in the shriek of Gwen Stefani. I rage with the mellow harshness of Tracy Chapman. I rage in all the ways of women who refuse to be pretty.

But sarees, these speak of modesty, of tradition, of maternal memories, none of which identify me. I’ve struggled to find my self in a saree. Should a love of this garment mean I trade in my warrior card? Must I pay for the respect accorded to a saree with my right to rage?

How do I not lose the essential me in the drapes? How do I keep a palluv from stifling my scream? How can my inner supernova burn through the folds? How do I keep my steel from drowning in cotton? Always a war.
I found my saree self in the bitter eloquent long locks of Alanis Morissette, the dark chocolate wrath of Tracy Chapman and Gwen Stefani saying don’t speak in red lipstick.

My colours are clashing screams. My patterns are silent drama. My folds are parodies of shame. This is who I am, in a saree, in a dress, on stage, on screen, on a page, in relationships, in my sleep. It looks like in the next second, I’m going to turn & run sat you so you want to get out of the way real quick. You won’t want to be caught in the fire gaze of those eyes. Someone called this a superhero pose. I’ll name it Angry Girl of the Indie Rock Persuasion. I wear the label, it doesn’t wear me.

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ANGRY GIRL OF THE INDIE ROCK PERSUASION I was fascinated by the saree as a child. Unfettered by stitches, lacking the artifice of buttons, a saree was freedom. I've struggled with gender boxes my whole life. Every damn thing, a fucking war. Short hair. Tattoos. Red clothes. Short clothes. Boots, not sandals. Science projects. Marketing jobs. An analytical mind. Single status. Silver, not gold. Diamonds I paid for. Sci-fi. A love of graphic novels. English poetry. Silent performance. A business. A band. A breakup. A failed engagement. Boundaries. These became my trophies. Warriors don't wear shyness, they wear war paint. I RAGE, oh how I rage. I rage with the eloquence of Alanis Morissette. I rage in the shriek of Gwen Stefani. I rage with the mellow harshness of Tracy Chapman. I rage in all the ways of women who refuse to be pretty. But sarees, these speak of modesty, of tradition, of maternal memories, none of which identify me. I've struggled to find my self in a saree. Should a love of this garment mean I trade in my warrior card? Must I pay for the respect accorded to a saree with my right to rage? How do I not lose the essential me in the drapes? How do I keep a palluv from stifling my scream? How can my inner supernova burn through the folds? How do I keep my steel from drowning in cotton? Always a war. I found my saree self in the bitter eloquent long locks of Alanis Morissette, the dark chocolate wrath of Tracy Chapman and Gwen Stefani saying don't speak in red lipstick. My colours are clashing screams. My patterns are silent drama. My folds are parodies of shame. This is who I am, in a saree, in a dress, on stage, on screen, on a page, in relationships, in my sleep. It looks like in the next second, I'm going to turn & run sat you so you want to get out of the way real quick. You won't want to be caught in the fire gaze of those eyes. Someone called this a superhero pose. I'll name it Angry Girl of the Indie Rock Persuasion. I wear the label, it doesn't wear me. ———————————————————————————– 🎶: BITCH – Meredith Brooks #theideasmithy

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If you liked this post, you’ll want to follow the Facebook Page and the Youtube channel. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

The Politics Of Smile

You should smile more, women are told, it makes you look good. This is said as a compliment but is erasure of the person & her emotions. What if she doesn’t feel like smiling? If you’re not a woman, try smiling at someone you don’t like or in a situation that causes you distress. Smiles must blossom on their own, not be demanded.

I grew up with dental issues – protruding, misaligned front teeth, overlapping canines, horizontal molars. I knew I was ugly. Nobody had to tell me, it was in how people responded to my smile (pity, disdain, awkward looking away, mean nicknames). By age 11, I knew I needed dental intervention if I wanted any hope of a better life. “It’ll change the way your face looks”, the orthodontist warned me. “Exactly”, I said and traded all the foods a child loves for years of painful metal braces, rubber bands, mouth plates, retainers. What a world we live in where a 11 year old believes that her worth is only in her smile and is willing to endure pain & sacrifice for it.

I know my good angles now & how to make others interesting. I have mastered the range of things a smile can convey – polite, charming, gracious, shy, confident, welcoming, impersonal. I am a woman in a culture of “Hasee to phasee”. This is why it is unwelcome intrusion when a man decides to advise me on a smile. I have a Ph.D. in the politics of smiles.

In my InstaStories conversation on #PeopleWeDontKnow, 2 men mentioned being complimented on their smiles.  We overburden girls with an identity-price tag on smiles. We never let boys/men know that their smiles matter. We give them role models that are angry, brooding & unsmiling. Look at any film poster featuring a macho hero. We suggest that smiling is only aesthetic and the domain of the female, as if to smile is to not be male.

But a smile is a universal expression of all’s-okay. It’s one of the earliest forms of communication we learn. It transcends the politics of gender, age and geography. Finally it expresses joy and creates more joy. So, when was the last time you smiled just because you felt like it?

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THE POLITICS OF SMILE You should smile more, women are told, it makes you look good. This is said as a compliment but is erasure of the person & her emotions. What if she doesn't feel like smiling? If you're not a woman, try smiling at someone you don't like or in a situation that causes you distress. Smiles must blossom on their own, not be demanded. I grew up with dental issues – protruding, misaligned front teeth, overlapping canines, horizontal molars. I knew I was ugly. Nobody had to tell me, it was in how people responded to my smile (pity, disdain, awkward looking away, mean nicknames). By age 11, I knew I needed dental intervention if I wanted any hope of a better life. "It'll change the way your face looks", the orthodontist warned me. "Exactly", I said and traded all the foods a child loves for years of painful metal braces, rubber bands, mouth plates, retainers. What a world we live in where a 11 year old believes that her worth is only in her smile and is willing to endure pain & sacrifice for it. I know my good angles now & how to make others interesting. I have mastered the range of things a smile can convey – polite, charming, gracious, shy, confident, welcoming, impersonal. I am a woman in a culture of "Hasee to phasee". This is why it is unwelcome intrusion when a man decides to advise me on a smile. I have a Ph.D. in the politics of smiles. In my InstaStories conversation on #PeopleWeDontKnow, 2 men mentioned being complimented on their smiles.  We overburden girls with an identity-price tag on smiles. We never let boys/men know that their smiles matter. We give them role models that are angry, brooding & unsmiling. Look at any film poster featuring a macho hero. We suggest that smiling is only aesthetic and the domain of the female, as if to smile is to not be male. But a smile is a universal expression of all's-okay. It's one of the earliest forms of communication we learn. It transcends the politics of gender, age and geography. Finally it expresses joy and creates more joy. So, when was the last time you smiled just because you felt like it? PC: @lumographer07 #theideasmithy

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If you liked this post, you’ll want to follow the Facebook Page and the Youtube channel. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

Where I Regret Doing The Right Thing

I met him at an event I was hosting. The growing crowds and reactions told me I was doing well. It was welcome respite from the morning’s fight, a common occurrence in the horror story I was living inside.

I was aware of him through the whole day, even as I juggled conversations and thoughts, feeling the headiness of a juggler who knows she’s good at it. He stayed in the corner of my vision, never intrusive, his questions informing the direction of my talk and my secret thrill at being understood powering me on. Then he stopped mid-question and said, “Sorry, I feel like I’m monopolizing your time.” That’s when I realised I wasn’t humming a solo.

When the event ended, I turned my back, willing myself down from the day’s high, steeling myself to return to hell. I turned again when I thought everyone had left. He hadn’t. He was moving to the exit, very deliberately not looking at me. He paused and said, “I feel like an Irish coffee. Do you feel like having Irish coffee?” That is the moment I want to pause. It contains so many layers. The climax of the day’s dance with words and looks. The culmination of things felt and not yet named. The promise of…well, just promise.

I saw him recently, our first interaction in many years. He’s married and a father. He looks happy. Still does. They all do.

It doesn’t bring me comfort or insight to think about how things are meant to be. I focus on the thought that something nice existed for one proming moment. That someone saw the possibility of attraction in my wit, my ideas and my personality rather than in what I could do for them or how I could make them look. It’s nice.

Are you wondering what happened back then? I told him, “No. I have to get back to my boyfriend.” And I went back to a man who hit me, abused me and told me it was all my fault. I didn’t succumb to temptation. I did The Right Thing. I always do because I never want to look back in regret. The thing is, I don’t know if doing the right thing and avoiding regret have anything to do with each other.

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REGRETTING DOING THE RIGHT THING I met him at an event I was hosting. The growing crowds and reactions told me I was doing well. It was welcome respite from the morning's fight, a common occurance in the horror story I was living inside. I was aware of him through the whole day, even as I juggled conversations and thoughts, feeling the headiness of a juggler who knows she's good at it. He stayed in the corner of my vision, never intrusive, his questions informing the direction of my talk and my secret thrill at being understood powering me on. Then he stopped mid-question and said, "Sorry, I feel like I'm monopolizing your time." That's when I realised I wasn't humming a solo. When the event ended, I turned my back, willing myself down from the day's high, steeling myself to return to hell. I turned again when I thought everyone had left. He hadn't. He was moving to the exit, very deliberately not looking at me. He paused and said, "I feel like an Irish coffee. Do you feel like having Irish coffee?" That is the moment I want to pause. It contains so many layers. The climax of the day's dance with words and looks. The culmination of things felt and not yet named. The promise of…well, just promise. I saw him recently, our first interaction in many years. He's married and a father. He looks happy. Still does. They all do. It doesn't bring me comfort or insight to think about how things are meant to be. I focus on the thought that something nice existed for one proming moment. That someone saw the possibility of attraction in my wit, my ideas and my personality rather than in what I could do for them or how I could make them look. It's nice. Are you wondering what happened back then? I told him, "No. I have to get back to my boyfriend." And I went back to a man who hit me, abused me and told me it was all my fault. I didn't succumb to temptation. I did The Right Thing. I always do because I never want to look back in regret. The thing is, I don't know if doing the right thing and avoiding regret have anything to do with each other. #theideasmithy #blog #regret #regrets #choice #cheating #relationships #attraction #dating #flirting #blackandwhite #bw

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If you liked this post, you’ll want to follow the Facebook Page and the Youtube channel. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

A Bleeding Goddess

Has it occurred to anybody that we are debating a woman’s right to worship in the same month that this religion worships womanhood? Navratri, Durga Puja or Pujo, whatever name you know this festival by, honours Shakti, the divine female force that manifests in abundance (Lakshmi), wisdom (Saraswati), loving relationship (Parvati) – just a few of the avatars that Hinduism revers. Durga specifically, represents the female force against evil. And what is more evil than discrimination, than treating human beings as less than human? It is especially ironical that the very thing that is considered prime about the female energy — the ability to bear life — is also used as a reason to discriminate against everyday women.

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This body is function. This body is strength. This body is beauty. This body is sex. This body is purpose. This body is life. Don't objectify me. Don't deify me. My poem on menstruation taboos and a religious celebration of womanhood. Thank you to @karthik.rao99 for the music and @kalart.ists, @me_shayar_to_nhii & @ujjain_nalini for bringing this performance to the world. Watch the video here: https://www.youtube.com/watch?v=Jhe25h9WVU4 Link also in bio. #performance #performer #poetry #poet #poetsofindia #poetryofindia #feminism #menstruation #menstruationmatters #menstruationmatters #menstrualhealth #kalart #periodtalk #periodtaboos #menstrualhygiene #spokenword #durgapuja #pujo #navratri #indianfestival #hindufestival #hindusim #sabarimalaverdict #sabarimala

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Let’s examine menstruation taboos. What makes a woman unclean during her period days? I’ve heard people tell me that this was used as a way to give the woman rest from her hard labour and to keep her husband from imposing sex on her. Even if this were true and the only way to give a woman rest at one point of time, is this the world we want to live in? What does it say about us as a society if the only way we can allow a woman rest and reprieve from forced sexual demands is by making her taboo? Are men and society at large that indifferent to a woman’s personhood — her health, her wellbeing and her consent? And if that is the case, what kind of hypocrisy is it to worship this same aspect of the women that they discriminate against?

Menstrual blood is not unclean and is not an excuse to treat menstruating humans as untouchable. A period is not an illness, not a reason to quarantine menstruating people. Women are human beings, not objects to be put out of harm’s way or intoxicants to be locked away.

This is my poem about the dichotomy of being an object of worship/discrimination in my culture. The background score was composed by the talented Karthik Rao and the animation and video production were by KalArt/Bramha Media. Thank you Kunal Jhawar and Nalini Ujjain for bringing my message to the world.

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If you liked this post, you’ll want to follow the Facebook Page and the Youtube channel. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

Arre: My Tinder Bio – Not Here To Mother 20-Somethings

Arre ran one of my stories this week and I’m thrilled. It’s about my experiences as an ‘older’ woman on the dating apps, primarily Tinder. A very young friend told me how nice it was to see older humans not dissing the idea of online dating. I couldn’t stop laughing when I told him that my generation was the one that invented the concept of falling in love online. These were actually lines in my original draft of the article, that got dropped during edits:

“Speaking of dickpics, these didn’t shock me as much as my millennial friends thought they would. After all, the internet is basically my younger sibling (being that I was 16 the year VSNL made internet connection, an ‘it’ accessory). My generation had its first romantic exchange through a glass screen, hallelujah chatrooms! We invented (discovered?) so this was the inevitable future.”

Anyway, I’m really happy with the way my story shaped up. Writers tend to shape our own world view with what we write. And it’s put me into a very good frame of mind to have worked on a piece that is about carrying away experience, not cynicism from life.

Show me some love and read the article, people! It’s up here and it’s called:

My Tinder Bio: Not Here To Mother 20-Somethings

 

 

6 Bollywood Characters You Didn’t Know Were Feminist | FeminismInIndia

My first post for Feminism in India is up here and it’s about two of my favorite topics – badass women and Bollywood! Read the full story here: ‘6 Bollywood Characters You Didn’t Know Were Feminist

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Update: 29 Jun 2018 – Here’s the full post now.

If Friday begins with the box office clanging in anticipation, Saturday full of tweet-opinions, by Sunday, the analyses have begun on a film’s politics – whether it’s a spy in Karachi or wedding shenanigans in Delhi. Is this feminist or not, we ask as we analyse how much screen time each actress had, what she spoke about and what she did. Can on-screen feminism go beyond the samajh-sudharak, the abla naari turned Kali maa and the speech spouting devi? Let’s meet some of the subtler on-screen feminists.

1. Saare Niyam Tod Do! – The Subversive Feminist

Manju (Rekha) in Khoobsurat (1980)

When a 1980 film titled Khoobsurat graced the big screen, a fresh-faced Rekha frowned from the poster. As Manju, she staked out a place in her sister’s marital home, breaking rules and making jokes (also a broken rule). She played bridge, started a kavi samelan, danced kathak, organised a musical production and snapped into action during a health crisis. In a time when a playback singer wouldn’t sing ‘bold’ songs, Manju made subversive both sexy and sanskari as she entreated us all to ‘Saare niyam tod do’ (Break all the rules).

2. Hawa Hawai – The Fearless Feminist

Seema (Sridevi) in Mr. India (1987)

She was a crime journalist, running sting operations on a national terror threat. She didn’t like children and was vocal about it. And she ruled the screen in a children’s movie. Sridevi as Seema in Mr. India may have been its real hero, since she didn’t need either a backstory, hero worship from the oppressed masses or an invisibility gadget to battle the forces of terrorism. That’s feminism sitting right under our noses, just next to the Calendar, khaana lao jokes.

3. The Tangewali Rides First – The Independent Feminist

Hema Malini as Basanti in Sholay (1975)

One of Bollywood’s biggest blockbusters had the testosterone-ridden plotline of prisoners, gunmen, mutilated cops and murder. Sholay also had a taangewali. We laughed at her talkativeness and marveled at her beauty, but did you notice that Basanti single-handedly managed the only public transport through the dacoit-infested roads to Ramgadh and Belapur? Some heroes use their fists, some wield the reins of a horse. As Basanti, Hema Malini’s opening spiel even referenced the matter of consent: “Yeh Basanti ka tanga hain, kissi zameendar ki bekaari thodi hain ki marzi na marzi, karna hi pade!” (This is Basanti’s tanga, not bonded labour. You get to choose whether you want to or not.)

4. Life Is My Favourite Game – The Responsible Feminist

Geet (Kareena Kapoor) in Jab We Met (2007)

In a country that kills in the name of honour and associates rape with victim-shaming, the pursuit of love is a distant dream for many women. Kareena Kapoor’s Geet in ‘Jab We Met’ tided over sanctioned harassment (“Akeli ladki khuli tijori ki tarah hoti hain”), the family patriarch and even geography in her quest for Mr. Right.

She managed to have adventures, befriend a heartbroken Shahid Kapoor and ride through the mountains. When she was jilted, she took a job to work through her grief rather than run back to her family or to another man. She said, “Kal ko main kissi ko blame nahin karna chahti hoon, ki ji tumhari wajah se meri life kharab ho gayi. Meri life jo bhi hogi, mujhe pata hoga ki meri wajah se hain.” (I don’t want to have to blame somebody else for any of my problems in the future. Whatever my life brings, will be because I chose it.) Feminism was always about taking back the control of our lives and Geet’s refusal to be a victim is just that.

5. The Show woman Must Go On – The Ambitious Feminist

Geeta (Hema Malini) in Seeta aur Geeta (1972) and Manju (Sridevi) in Chaalbaaz (1989)

‘Twins with opposite personalities’ was a popular Bollywood trope. With female twins, it was a way to show two different ways that a woman could be appealing – the demure lass but also the firebrand. Hema Malini’s Geeta climbed the tightrope and the social ladder to nicer clothes, a richer boyfriend and a better life in the 1972 Seeta aur Geeta. Geeta was a hero to the oppressed, while breaking the formula of man-rescues-woman. The 1989 update, Chaalbaaz, had Sridevi depict an even more unapologetic Manju climbing her way to ‘Superstar Manju Micheal Jacksoni’ while taking on thugs, abusive relatives, a gaslighting buddy and a besotted rich boy in her stride. Geeta or Manju – nothing says feminist like a dreamer working her way up.

6. Taal Se Taal Na Milaye – The Intersectional Feminist

Mansi (Aishwarya Rai) in Taal (1999)

1970s and 80s Bollywood was full of gaon ki goris to whom terrible things happened. They were kidnapped by criminals and rescued by heroes. They were duped by smooth charmers who redeemed themselves before God or a moralizing hero. Occasionally, as the hero’s sister, they’d be raped by the villain and commit suicide or be killed so as to give the hero a quest of vengeance.

We met Aishwarya Rai’s Mansi in the traditional introduction of this very girl – through the hero’s eyes as he spied on her dancing in the rain and undressing. Bailed out by a rich papa, love and familial friendships developed. Eventually, as the story goes, the khandani daulat (family wealth) got in the way. Manasi’s family of folk singers was humiliated by the hero’s industrialist family, adding class prejudices to their ladkewale supremacy complex. But unlike the lachaar aurat (helpless woman) of yore, Mansi dared to voice what doesn’t get said even in 2018 – “Tumhare papa ki izzat, izzat hain aur mere baba ki koi izzat hi nahin?(You talk about disrespect to your father but you disrespect mine?)

Mansi would go on to push back on her producer’s bullying, while steadily climbing in her career. She’d eventually accept two different proposals but always while prioritizing herself, her family and her career first. Taal was a story of one woman transcending gender repression as well as class barriers, proving Manasi was Bollywood’s intersectional feminist.

Did you notice any other instances of feminists in Bollywood that I missed?

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If You Won’t Let Us Laugh, Someday We’ll Make You Cry

I watched ‘Veere di Wedding’ today. Don’t worry, this is not a review. The film is getting enough of hatred on social media to inspire enough curiosity in you to watch it. There is uproar over the swearing, the drinking, the raucous laughter, the sex talk. Everyone and their grandmother is horrified.

I’ll give away no spoilers and just say, I loved every minute of the film. And now I’m cueing up ‘Gone Girl’ on streaming as a nighttime watch. Me, who shudders at the thought of Bollywood horror films and basic slashers — I enjoyed the story of the sociopath and I will gladly watch it again. At night. You know why?

Because it gives me a sense of vindication, of justice even. I won’t talk about ‘Veere di Wedding’. Let’s talk about ‘Gone Girl’ instead. Why did so many women LOVE it? Because every single one of us has identified with the feeling of doing so much, being so much and still being edited and worse — invisible.

What does that mean? It means we don’t exist the way men exist — as people. We exist like a 24 x 7 customer service operation that must seamlessly and boundlessly cater to the male gaze, the male need, the male ego, the male everything. We don’t even get paid for it, let alone acknowledged. And any sign of our own humanity comes with severe, very severe consequences. What consequences, you say? Slut-shaming, body-shaming, single-shaming, rape culture, violence against women, silencing of women, mansplaining, manspreading. To name just a FEW.

I could not see a single reason any reasonable human being would dislike ‘Veere di Wedding’. It was funny, it was frothy, it was glossy and it was entertaining. It made a few digs at the expense of men’s glaring flaws but you didn’t REALLY believe that we never talk about you, did you? Wait, you did? Then why is the Bechdel test even needed? Literally that if two women can have even one conversation on screen that is not about a man, it passes. So few films do. So clearly we’re expected to yap about men only all the time. Did you think we wouldn’t complain or joke about you? HA!

Curiouser still, didn’t you all really enjoy ‘Hangover’? How about ‘Pyaar ka Punchnama’, that gut-sucking punch to every woman on the planet? That looooooooong diatribe against the entire female race that all of you liked so much, it’s practically a viral poem on Youtube now. ‘Veere di Wedding’ didn’t have even a third of all that. The ‘motherlover’ line? What, now we’re not supposed to tell the truth? You do worship your darling momma, don’t you and wish every other woman was more like her? It’s called The Oedipal complex and all she was doing was stating that. I guess we should leave personsplaining to the men.

But never mind all that. Clearly you can’t handle women’s laughter. But want to know what happens when you suppress her natural positive instincts? ‘Gone Girl’ is what happens. It’s when this woman wakes up one day and realises that this life is shit and it really is so much better without you. She runs everything of course, without credit and with all the harassment and silencing. Why does she need to carry your sorry-ass as well?

Sure, call her a sociopath like Amy. After all, what was Amy but someone who loved Nick very, very much? Yes, that is wrong. You certainly don’t deserve it.

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If you liked this post, you’ll want to follow the Facebook Page and the Youtube channel. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

The Lowest Priority Box

Last week, I drew a line and said,

“I’m done. No more. Goodbye.”

I have lived through the dreadfulness of limbo, the sheer callousness of men who will not spend a minute reflecting on their feelings. And you know what? It is just not that important any more. 2017 wrecked such a heavy toll on me that I gave up (the last time I did this was in 2000). In my resigned surrender, something happened. I gave up the faith that the world of men has anything good for me.

I have not stopped feeling. But this feeling, this unresolved mess sits in an Odds & Ends box that is lowest priority in my life. Like most women, I have always prioritised the romantic relationship over everything else – my health, my career, my dreams, my ambitions, my family and friendships. I am done.

The person I’ve drawn that line for has made feeble attempts to get me to revoke it. Too little, too late – do men really not understand that this can become a thing? No, I guess they don’t. How could they, when their entire lives are taken up by their immediate demands? There is no room for anybody else or situational realities.

I say this with no hatred and all the resignation in the world. There is no point prioritising anything over a relationship with a man. That’s too big a gamble and guess what? The house of patriarchy always wins. I’m declaring a truce with male commitment-phobia, fuccboiness, mama’s boy syndrome, Madonna/Whore complexes and all other things male. I can’t eliminate you from this world. I can’t even keep you from entering my life. But I can relegate you to the lowest priority in my universe. Stay in the outhouse with your shit.

I cannot wait to stop wanting altogether. Maybe menopause will bring a pause in men too.

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If you liked this post, you’ll want to follow the Facebook Page and the Youtube channel. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram.

SXonomics On The Reproductive Justice Happy Hour Podcast

SXonomics was featured on The Reproductive Justice Happy Hour podcast. Just like SXonomics, TRJHH is also a collaboration between two women, this time cross-continental. The podcast takes on feminist issues as they pertain to desi audiences, in India and the diaspora.

I’d already had a chance to talk to Surabhi a few months earlier and it was a real pleasure. When you live in a world where most people tell you that you are wrong for existing, where your ideas are shouted down and deemed ‘manhater’ (whatever that is, since it is not a real word), conversations like this one come as tremendous relief. It’s a lot like being an allergy sufferer in Mumbai. I don’t even realise how much I struggle to breathe until I visit a place that is cleaner and less polluted. Similarly, these rare conversations make me realise what an effort it is, even to exist in my world. And I am still one of the privileged with an education and living in a city. It’s an uphill task, this fight and I often consider giving up.

But just when I do, a conversation like this comes along. Surabhi got us talking about how SXonomics came to be, our creative process and the work we’ve been doing. But she also got us thinking about female solidarity, about what makes collaborations really work. The last such conversation I had that really grew me, was also related to SXonomics and was with Damini, the first person to interview us and take our story out to the world. Damini pointed out that even our combination-performance weaving music, poetry, comedy and drama together was a feminist statement of a sort.

So I guess I’m having an interesting year, all things considered – a lot of grit but also many, many adventures and unexpected treasures. To listen to SXonomics on The Reproductive Justice Happy Hour, click here: https://soundcloud.com/rjhappyhour/opinionated-women-in-the-house-say-hello-to-sxonomics

“All human interactions are transactional in nature. They may not be currency-based but they are transactions of power, of respect.”

SXonomics is a feminist content producer and a collaboration between Ramya Pandyan and Ishmeet Nagpal. SXonomics is on Facebook, Twitter, Instagram, Youtube and SoundCloud. Drop us a note at SXnomics [at] Gmail [dot] com to chat about feminism, patriarchy, LGBTQIA issues, sex and love positivity!

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If you liked this post, you’ll want to follow the Facebook Page and the Youtube channel. I’m Ramya Pandyan (a.k.a. Ideasmith) and I’m on Twitter and Instagram

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